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The Cowpalace Sessions

by Lulu's Fate

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1.
I ain't got no use for your red rocking chair Ain't got no honey baby now, ain't got no honey baby now Who'll rock the cradle, who'll sing the song? Who'll rock the cradle when I'm gone, who'll rock the cradle when I'm gone? I'll rock the cradle, I'll sing the song I'll rock the cradle when you're gone, I'll rock the cradle when you're gone. It's all I can do, it's all I can say Ain't gonna be treated this way, ain't gonna be treated this way. It's all I can do, it's all I can say Sing it to your mama next pay day, sing it to your mama next pay day
2.
Little Sadie 03:26
Went out one night to make a little round I met Little Sadie and I shot her down Went back home, jumped into bed Forty-four pistol under my head I woke up in the morning bout half past nine The hacks and the buggies standing in line Gents & gamblers standing around Taking Little Sadie to her burying ground I began to think of what a deed I'd done I grabbed my hat and away I did run Made a good run, just a little too slow They overtook me in Jericho Standing on the corner reading a bill And up stepped the sheriff from Thomasville He said Miss, is your name Brown Remember the night you shot Sadie down I said, oh yes sir, but my name is Lee And I murdered Little Sadie in the first degree First degree and a second degree Got any papers will you read them to me So they took me downtown and dressed me in black Put me on a train and started me back All the way back to the Thomasville jail I had no money for to go my bail The judge and the jury they took their stand The judge had the papers in his right hand Forty one days and forty one nights Forty one years to wear the ball and stripe
3.
Oh yonder stands Little Maggie With a dram glass in her hand She's drinking away her troubles She's a courtin' some other man Oh how can I ever stand it Just to see them two blue eyes A-shining in the moonlight Like two diamonds in the sky Last time I saw Little Maggie She was sitting on the banks of the sea With a forty-four around her And a banjo on her knee Lay down your last gold dollar Lay down your gold watch and chain Little Maggie's gonna dance for daddy Listen to that old guitar ring Pretty flowers were made for blooming Pretty stars were made to shine Pretty girls were made for loving Little Maggie was made for mine I'd rather be in some dark hollow Where the sun don't ever shine Then to know you're another man's darling And no longer a darling of mine Sometimes I have a nickel And sometimes I have a dime Sometimes I've got ten dollars Just to pay Little Maggie's fine Go away, go away Little Maggie Go do the best you can I'll get me another woman You can go and get you another man
4.
5.
As I went out to take a little walk I came upon that Wild Bill Jones He was walking and a talking by my true love’s side And I begged him to leave her alone He said my age is twenty-one years Too old to be controlled So I gathered up my pistol from by my side And destroyed that poor boy's soul And it’s pass around that old long necked bottle And we'll all go on a spree For today was the last of that Wild Bill Jones And tomorrow will be the last of me He stammered and he stumbled, and he fell to the ground He gave one last dying moan I put my arms around my Lulu’s neck And I said honey you’re all alone And it’s pass around that old long necked bottle And we'll all go on a spree For today was the last of that Wild Bill Jones And tomorrow will be the last of me And it’s pass around that old long necked bottle And we'll all go on a spree For today was the last of that Wild Bill Jones And tomorrow will be the last of me As I went out to take a little walk I came upon that Wild Bill Jones
6.
7.
Hop High 02:38
Where did you get them high top shoes and the dress that you wear so fine Got my shoes from a railroadin' man and the dress is from a driver in the mine Chorus: Oh hop high, hop high, hop high my Lulu girl I'll pawn you my watch and I'll pawn you my chain I'll pawn you my gold wedding ring to pay my little Lulu's fine I'll pawn you my wagon and my team Chorus Where have you been my pretty little girl? Where have you been so long? I've been in the pen with those rough and rowdy men and honey I'm goin' back again Chorus
8.
9.
10.
Rock of Ages 02:40
11.
12.
Bei mir bist du schoen, please let me explain Bei mir bist du schoen means you're grand Bei mir bist du schoen, again I'll explain It means you're the fairest in the land I could say "bella, bella" even "sher wunderbar" Each language only helps me tell you how grand you are I've tried to explain, Bei mir bist du schoen So kiss me and say you understand Bei mir bist du schoen, I'll try to explain Bei mir bist du schoen means you're grand Bei mir bist du schoen, it's such an old refrain It means I am begging for your hand I could say "bella, bella" even "sher wunderbar" Each language only helps me tell you how grand you are I've tried to explain, Bei mir bist du schoen So kiss me and say you'll understand So kiss me and say that you'll understand
13.
My old hen's a good old hen she lays eggs for the railroad men, Sometimes one, sometimes two that's enough for the whole damn crew Chorus: Cluck old hen, cluck and sing, Ain't laid an egg since way last spring, Cluck old hen, cluck and squall, Ain't laid an egg since way last fall Cluck old hen, she had a wooden leg Best old hen that ever laid an egg Laid more eggs than any hen on the farm Another drink of whiskey wouldn't do me no harm Chorus My old hen's a good old hen, she lays eggs for the railroad men Sometimes eight, sometimes ten, That's enough for the railroad men Chorus Cluck old hen, had a wooden leg Best old hen that ever laid an egg First time she cackled she cackled in the log, Next time she cackled she cackled in the pot Chorus

about

Recorded in a converted dairy barn (The Cowpalace) in Cullen, VA, live to two stereo mics.

credits

released April 12, 2016

Tom Espinola: mandolin, guitar, vocals
Kristen Jones: cello, electric cello, vocals
Kara Bolling: vocals

Produced, engineered & mixed by Tom Espinola for Nola Workshop. Assistant engineer: Tray Eppes. Mastered at Airshow Mastering (Takoma Park, MD) by Charlie Pilzer.

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about

Lulu's Fate Washington, D.C.

Lulu’s Fate is a trio based in the Washington DC area, performing a variety of traditional American music as well as original songs and tunes. The group combines virtuosic instrumentals with tight 3-part harmonies to create new interpretations of traditional Appalachian music. They also mix in a variety of country blues, Dixieland, sea chanteys, southern string band tunes, and more. ... more

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